Join the Transnational Literature Series at Brookline Booksmith for a virtual event with Marilyn Hacker and Karthika Naïr to discuss and celebrate the release of A Different Distance. They will be in conversation with poet Christopher Merrill.

In March 2020, France declared a full lockdown to prevent the spread of the coronavirus. Shortly thereafter, poets and friends Marilyn Hacker and Karthika Naïr—living mere miles from each other but separated by circumstance, and spurred by this extraordinary time—began a correspondence in verse.

Renga, an ancient Japanese form of collaborative poetry, is comprised of alternating tanka beginning with the themes of tōki and tōza: this season, this session. Here, from the “plague spring,” through a year in which seasons are marked by the waxing and waning of the virus, Hacker and Naïr’s renga charts the “differents and sames” of a now-shared experience. Their poems witness a time of suspension in which some things, somehow, press on relentlessly, in which solidarity persists—even thrives—in the face of a strange new kind of isolation. Between “ten thousand, yes, minutes of Bones,” there’s cancer and chemotherapy and the aches of an aging body. There is grief for the loss of friends nearby and concern for loved ones in the United States, Lebanon, and India. And there is a deep sense of shared humanity, where we all are “mere atoms of water, / each captained by protons of hydrogen, hurtling earthward.”

At turns poignant and playful, the seasons and sessions of A Different Distance display the compassionate, collective wisdom of two women witnessing a singular moment in history.

Marilyn Hacker is the author of fourteen books of poems, including Blazons and A Stranger’s Mirror (longlisted for the 2015 National Book Award), a collaborative book, Diaspora/ Renga, written with Deema K. Shehabi, and an essay collection, Unauthorized Voices. Her eighteen translations of French and Francophone poets include Samira Negrouche’s The Olive Trees’ Jazz, Jean-Paul de Dadelsen’s That Light, All at Once, and Claire Malroux’s Daybreak. She is a former editor of the Kenyon Review, and of the French literary journal Siècle 21. She received the 2009 PEN Award for Poetry in Translation for Marie Etienne’s King of a Hundred Horsemen, the 2010 PEN Voelcker Award for her own work, and the international Argana Prize for Poetry from the Beit as-Sh’ir/ House of Poetry in Morocco in 2011. She lives in Paris.

Karthika Naïr is a poet, fabulist, and librettist whose books include The Honey Hunter, illustrated by Joëlle Jolivet. Until the Lions: Echoes from the Mahabharata, her reimagining of the foundational South Asian epic in multiple voices, won the 2015 Tate Literature Live Award for Book of the Year (Fiction), was shortlisted for the Atta Galatta Prize, and was highly commended in the 2016 Forward Prizes. Naïr has scripted and coscripted performances for choreographers Akram Khan (DESH, Chotto Desh, and Until the Lions, adapted from her own book), Sidi Larbi Cherkaoui & Damien Jalet (Babel 7.16), and Carlos Pons Guerra (Mariposa). She is the co-founder of Cherkaoui’s Antwerp-based dance company, Eastman, and executive producer of several of his and Damien Jalet’s works.

Moderator Christopher Merrill has published seven collections of poetry; many edited volumes and translations; and six books of nonfiction, among them, Only the Nails Remain: Scenes from the Balkan Wars, Things of the Hidden God: Journey to the Holy Mountain, The Tree of the Doves: Ceremony, Expedition, War, and Self-Portrait with Dogwood. His writings have been translated into nearly forty languages; his journalism appears widely; his honors include a Chevalier des Arts et des Lettres from the French government, numerous translation awards, and fellowships from the John Simon Guggenheim Memorial and Ingram Merrill Foundations. As director of the International Writing Program at the University of Iowa since 2000, Merrill has conducted cultural diplomacy missions to more than fifty countries. He served on the U.S. National Commission for UNESCO from 2011-2018, and in April 2012 President Barack Obama appointed him to the National Council on the Humanities.

 

The Transnational Literature Series at Brookline Booksmith

The Transnational Series focuses on stories of migration, the intersection of politics & literature, and works in translation and is supported by the independent bookstore Brookline Booksmith. Subscribe to the Transnational Series newsletter for information on upcoming events, book recommendations, and more.

Join the Transnational Literature Series at Brookline Booksmith for an in-store event with Teju Cole to celebrate the release of his two new books, Black Paper: Writing in a Dark Time and Golden Apple of the Sun. He will be in conversation with writer, editor, and founder of the Transnational Series, Shuchi Saraswat.

“Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.

Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations.

Golden Apple of the Sun: In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still-life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, “the bowls and plates moving in their unpredictable constellations.”

What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns—hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography—as the photographs are delimited in theirs. The text and photography are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge. A luminous and humane work, presented with the formal boldness and oblique intelligence we have come to expect from Teju Cole.

Teju Cole is a novelist, photographer, critic, curator, and the author of seven books, which include Open City and Blind Spot, among others. He was the photography critic of the New York Times Magazine from 2015 until 2019. A 2018 Guggenheim Fellow, he is currently the Gore Vidal Professor of the Practice of Creative Writing at Harvard. Author photo credit Maggie Janik.

Moderator Shuchi Saraswat’s essays and criticism have appeared or are forthcoming in The Boston Globe, The Boston Art Review, Ecotone, Tin House online, Literary Hub, Arrowsmith, Ploughshares blog, Women’s Review of Books, and elsewhere. In 2018, she founded the Transnational Literature Series at Brookline Booksmith and served as its director through 2020. She’s currently a nonfiction editor at the literary journal AGNI.

 

The Transnational Literature Series at Brookline Booksmith

The Transnational Series focuses on stories of migration, the intersection of politics & literature, and works in translation and is supported by the independent bookstore Brookline Booksmith. Subscribe to the Transnational Series newsletter for information on upcoming events, book recommendations, and more.

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Please note that any Brookline Booksmith in-person event may be canceled by the bookstore, publisher, or author based on concerns about health and safety around the time of the event. Wherever possible, any in-person appearance canceled due to COVID will be moved to the Brookline Booksmith Zoom as a Webinar at the same date and time, and all tickets & registrations will be transferred to the online event. Book signing details may change. Refunds may be requested in the case of a virtual pivot or event cancelation.

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